GRADING
We love colors and know that color correction is a vital instrument for giving your film a unique flair. While the focus of the cut is on rhythm and speed, here we influence the overall effect using mood and tonality. An artistic step that requires a lot of creativity and experience.
In the classical sense, it is also important to look at different characteristics in the starting material in formats such as documentaries or reports. By making adjustments for each scene, we create a single overall impression using color correction - because a well-rounded result does not irritate the viewer and gets to the heart of the key issues. Together with you, we find the perfect look.
You can also rely on our know-how in the processing of your treasure in the archive. With us, historical material is in the best hands and can be brought back to life.
EYES OPEN
On two correction points, with the Digital Vision Nucoda HD FilmMaster Color-Grading-System, we design and control the effect of the color of your movie with profound knowledge and uncompromising care. The DVO Noise Reducer, which we use as a plugin, is very useful. This Emmy Award-winning noise reduction technology, provides for absolute perfection in all situations.
We are fully networked and with a few clicks the material from the cut is in color correction within seconds. All points are equipped with 24.5-inch Sony Trimaster OLED monitors, Tektronix WVR measuring devices and corresponding hardware panels to control the grading software.
Amidst all the colors, of course, we never lose our orientation in the environment, which is kept neutral-white according to IRT recommendations.
The future is already here - we already correct 4K in all variants. Among other things, our 30-inch Sony BVM- X300 and a 4K OLED monitor help here, which meet the highest quality standards in the reference class. Nothing shows true colors more. An escape for starting material and a blessing for future material.